MA Thesis Final 2013 – Theodora Pyrogianni

“Expecting to be salvaged, however, is not rational.  It belongs to the discourse of major religious concepts and accordingly it is something  one should not expect while alive. Therefore, salvation of any kind is merely an excuse and as a concept it does not represent the actual concepts of modernity. Modernity is strongly associated with a… Continue reading MA Thesis Final 2013 – Theodora Pyrogianni

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Initial Thesis Abstract: Exhibition as a Project: the aftermath of 1976

As the title of this thesis implies, its initial objective is to question the role of an architectural exhibition by contemplating it as a project and finally test its afterlife. The device, through which I evaluate this hypothesis, is the exhibition “Europe/America: Historic Centre – Suburban Alternatives”, which is a segment of the 1976 Venice… Continue reading Initial Thesis Abstract: Exhibition as a Project: the aftermath of 1976

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The Quasi-Nomadic Cell: At the Threshold of the Collective Dwelling

Mobility is a common word within the modernist discourse, and although it represented the zeitgeist or, in other words, the spirit of the time, it was never thoroughly analyzed. How is the nomad used to describe the urban subject, is the argument which will be highlighted in terms of how the new subject and the… Continue reading The Quasi-Nomadic Cell: At the Threshold of the Collective Dwelling

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The Sublimity of Nothing

Imposing rocks, eternal mountains, stagnant, and agitated waters, torrents, tranquil seas, seas in fury, sites varied to infinity, Greek, Roman, Gothic constructions; sky, distances, calms, stormy weather, serene weather, lighting at different times of the day, tempests, shipwrecks, deplorable situations, victims and pathetic scenes of every kind; day, night, natural and artificial lighting, disparate or… Continue reading The Sublimity of Nothing

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A Man Who Knew Too Much

“Visiting   houses  in  Beverly  Hills  or  Bel  Air   can  be   an  hallucinating   experience;   an overwhelming  sence of déjà vu mingles with an overwhelming  desire to sidle along corridors with one’s back to the wall and to kick doors wide open before passing through.” More like scenes rather than anything else is Banham’s interpretation of the… Continue reading A Man Who Knew Too Much

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Theodora Maria Pyrogianni

Theodora is an architect educated at the University of Thessaly, in Greece and at Politecnico di Milano, in Italy. She has participated in several architectural competitions, workshops, seminars and photography exhibitions. Her broad interest in architectural history, theory and writing encouraged her to apply for the MA History and Critical Thinking at the AA.

Published
Categorized as 2012